ENRIQUEZ ALONSO was born on July 28, 1959 in Ciudad Cuauhtémoc Chihuahua. Mx. In the year of 1972 he moved to Ciudad Juarez Chih. Which is in high school in MEXICO INSTITUTE. AHES where he discovered his skill for drawing. 1975Cursa school in the School of Bachelors of the state capital, Chihuahua. AFTER REGIONAL entered the Technological Institute of Chihuahua to study Industrial Engineering Elctrica. In nterin, Alonso, started his teaching by providing, inter alia, ctedras Drawing, Painting and Graphic Design for various educational institutions. 1978-1980 --- In the Drawing and Painting Ctedra begins his artistic work, giving his work. Oil, Ink and Pencil China. Figurative marks the search for the tools to express the intimate relationship between man and the environment they live. 1982 --- AFTER a pause. And, following the style of the engravings of Gustave Dor, began to develop its own technique to work with ink and pen in creating images that resemble the texture finish and classic period of etching. The usual themed end of last century ahse guess though that trend to link the man with his environment. 1983-1990 --- The experimentaciny the study of unusual techniques show the artist pirgrafo use as a means of artistic expression, since it allows to combine the cold days of the xylograph finishes ao woodcut with the warmth of the altarpieces painted in the Middle Ages and they create images that express ideas from modern to primitive methods. --- 1985 Starts work on walls. A means of expression that Alonso is considered very important for Mural Painting: The wall provides more space, it allows greater freedom to use different levels and environments creating slides that best lend themselves to deliver the message. But, How is it possible to paint a feeling? O, represent an emotion ...? In what ways to express the relationship between the physical human being and his profound belief or relations with the metaphysical world? Ahel dilemma I began the search for techniques that allow more free to show that something that is brought in and can not be expressed in words. As, through different techniques such as watercolor, colored pencils, pastels, etc., Alonso discover the acrylic - very versatile and modern painting that is just waiting for the creative imagination can get the maximum of profit. Also comes with acrylic style, which he called fantastic realism. --- "It's a way of expressing the truth and its relationship with dreamlike images that everyone possesses, and that in turn are real even believe that everyone's fantastic. That is , apparently real events which when mixed by the fantastic imagination create a situation that serves as a liaison between the reality described and the concept that each person, tribe or society about the world metaphysics and emotions. No wonder, then, that in all the work of Alonso swim there disproportionate images or unrealistic fantasies, which only make sense to consider all harmonics formed. Ste painter's work shows a kind of surrealism itself, since, without departing from the figurative reality, takes the viewer to a proper interpretation of their beliefs and most intimate feelings that this one generates, beating thus, the truth and face the individual with the root of his motivation. In short: Realism fantastic subjective explores the roots move to Man to the analysis of daily giving it a meaning that transcends the physical. From this little Alonso is inclined to think this one imaginary worlds within the real world that face the common man with their primitive and superstitious roots causing aoranza of spiritual freedom and ida. ISSUES: As is logical, Alonso is the issues that are the legends, traditions, ceremonies of all races at all times; Ascom customs that arise in relating the Man with his natural environment sobrenatura